The Green Room: With John Olohan
John Olohan plays the character James Burke in ‘Ride On’ which runs from 6 – 10 November at The Civic. A Honda 50 Bike-run forms...
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“A blend of the grotesque, dark humour and suspense” : Theatre Review of Misery by Suirfire Productions
From Suirfire Productions comes Misery, an adaptation for the stage of the famous Stephen King novel. It is also a highly successful 1990 film starring...
READ MOREProduction Images for PORT AUTHORITY
[slideshow] Port Authority Decadent Theatre presents by Conor McPherson MAIN AUDITORIUM Conor McPherson is regarded as one of Ireland’s leading dramatists. His plays have become...
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LIAM MURPHY reviews MISERY for the Munster Express, 13th July 2012
LIAM MURPHY reviews MISERY for the Muinster Express, 13th July 2012 I would have thought it was high risk for a theatre company, to put...
READ MOREStage version of Misery promises plenty of “jumps” and “surprises”!
[slideshow] Suirfire Productions is promising audiences plenty of “jumps” and “surprises” during a tense and gripping tale of obsession, entrapment and inner demons. This is...
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The Green Room: With Aindrias Stack
Meet Aindrias Stack who stars in the upcoming production of SALOMÉ on Friday, 19th October at 8pm and 11.30am for school groups. This is the...
READ MOREIn Rehearsal: Misery by Stephen King
Misery opens at Civic Theatre on Tuesday, 9th October and runs for 5 nights. This show has received a great response from audiences and is...
READ MOREIn Rehearsal: Beyond the Brooklyn Sky
[slideshow] Presented in association with Dublin Theatre Festival as part of Festival On Tour Written by Michael Hilliard Mulcahy Directed by Peter Sheridan MAIN AUDITORIUM...
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The Cast of ‘Beyond the Brooklyn Sky’ – opens @civictheatre on 25th September
Beyond the Brooklyn Sky The play is Red Kettle’s follow up the The Country Girls. It’s about a group of friends that grew up together...
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Why Didn’t I Have More Sex?: Marina Carr’s Woman and Scarecrow
Dylan Thomas’ assertion that we should “rage against the dying of the light” takes on a physical (and perhaps metaphysical) form in Marina Carr’s visceral...
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